Khairulddin Wahab, The Farthest Boundary, 2023, acrylic on canvas, 180 x 250 cm
Photo courtesy of Cuturi Gallery
Art SG, Southeast Asia's largest international art fair and the first art fair of the year, returns for its third iteration from January 17 to 19, 2025 with a VIP preview on January 16, at the Marina Bay Sands Expo and Convention Center. Featuring 106 leading galleries from 30 countries and territories, including major names like Gagosian, White Cube and Thaddaeus Ropac, alongside prominent regional galleries such as Yeo Workshop, FOST Gallery and Richard Koh Fine Art, the fair continues to position Singapore as a vital cultural hub in Asia. This year’s highlights include curated presentations exploring themes of memory, identity and technology, as well as collaborations with cultural partners like Bangkok Kunsthalle and Delfina Foundation. Art SG 2025 underscores the dynamic potential of Southeast Asia’s contemporary art scene, offering collectors and audiences an unparalleled platform to engage with the region’s most exciting artistic voices and international masterpieces. Fair Director, Shuyin Yang, gives us the low-down on Art SG.
What potential do you see for the development of Southeast Asian contemporary art, and which emerging or mid-career artists should collectors be paying attention to?
Southeast Asian contemporary art holds tremendous potential for global recognition, with increasing interest from international collectors. This is reflected in the growing presence of global art enthusiasts at events like Art SG, alongside the rise of a new generation of collectors eager to invest in the region’s artists. Young galleries featuring emerging artists working across diverse disciplines are on an exciting trajectory. Notable names include Bangkok CityCity, presenting work by Korakrit Arunanondchai, Alex Face, Nawin Nuthong; FOST Gallery showcasing Kray Chen, Lec Cruz, Nilo Ilarde, Jodi Tan, Wyn-Lyn Tan, Eng Tow, Ian Woo, Yeo Tze Yang; Cuturi Gallery, featuring four young Singaporean painters: Aisha Rosli, Faris Heizer, Shen Jiaqi and Khairulddin Wahab; and Haridas Contemporary, presenting a new work by Melissa Tan, in addition to paintings by Jeremy Sharma and a new body of work by Esmond Loh.
Cian Dayrit, Mulat na Masa ay Mesiyas noon pa man, 2022, digital print, found objects, embroidery on fabric, 119.4 x 152.4 cm
Photo courtesy of The Drawing Room
How does Art SG support local and regional artists and galleries in reaching international audiences, and what feedback have you received from them?
Art SG is vital in connecting local and regional artists and galleries with international audiences. By bringing together leading international galleries and a strong Southeast Asian presence, the fair offers local artists a direct platform to engage with collectors, curators and art lovers worldwide. The alignment with Singapore Art Week further boosts exposure, drawing a global crowd of art professionals to the event. The fair’s diverse programming, including the sectors for public art and education – Platform, Film and Talks – provides in-depth engagement opportunities with contemporary art. Platform, dedicated to large-scale, site-specific installations, offers a prominent stage for bold and impactful artworks, often featuring rising talents. Film and Talks, which feature curated discussions and presentations, provide a focused platform for examining Southeast Asian art within a broader global context. The inclusion of institutionally recognized curators and thought leaders, including Stefano Rabolli Pansera, Director of Bangkok Kunsthalle and Khao Yai Art Forest and Artistic Director of the St. Moritz Art Film Festival, who will curate Art SG’s Film sector, and Aaron Cezar, Founding Director of the Delfina Foundation, who will help to shape our Talks program, elevates the presence of regional artists on the world stage.
Xin Liu & Nan Zhao, Lycorises Reverie, 2023
Courtesy of Gazelli Art House and the artists
Can you give us a sneak peek into some programming highlights for Art SG’s third edition in January 2025?
For Art SG’s third edition in January 2025, visitors can expect a fascinating array of programming highlights that showcase a range of contemporary art practices across multiple disciplines and demographics:
Lehmann Maupin (New York, London, Seoul) will feature a selection of works from across the gallery’s program, foregrounding Asian and diaspora female artists including Tammy Nguyen, Mandy El-Sayegh, Lee Bul and Kim Yun Shin.
Ames Yavuz (Singapore, Sydney) will present acclaimed artists from Southeast Asia in a thematic show titled “Kindred Spirits”. Works by Abdul Abdullah, Isabel and Alfredo Aquilizan, Elmer Borlongan, Ayka Go, Alvin Ong and Samak Kosem will explore how memories and materials accrue over time to form complex local identities.
Gazelli Art House (London, Baku) will display a dynamic group exhibition titled “Unknown & Uncontained” featuring six pioneering artists who explore the intersection of digital media and emerging technologies. Centered on speculative communication with other forms of life – whether biological, machine or data-based – the theme of the presentation will invite viewers to experience newly generated worlds through various mediums, including video, sculpture, framed prints and neon. The presentation will include works by acclaimed artist Jake Elwes, while new works by Entangled Others, Xin Liu, and 00 Zhang will be showcased in Singapore for the first time.
Yinka Shonibare, African Bird Magic (Comoro Blue Vanga & Taita Thrush), 2024, patchwork, appliqué, quilting, hand-dyed silk, linen and cotton and Dutch wax printed cotton, 80.3 x 57.9 in. Photo courtesy of Goodman Gallery
What potential do you see for the development of Southeast Asian contemporary art, and which emerging or mid-career artists should collectors be paying attention to?
Southeast Asian contemporary art holds tremendous potential for global recognition, with increasing interest from international collectors. This is reflected in the growing presence of global art enthusiasts at events like Art SG, alongside the rise of a new generation of collectors eager to invest in the region’s artists. Young galleries featuring emerging artists working across diverse disciplines are on an exciting trajectory. Notable names include Bangkok CityCity, presenting work by Korakrit Arunanondchai, Alex Face, Nawin Nuthong; FOST Gallery showcasing Kray Chen, Lec Cruz, Nilo Ilarde, Jodi Tan, Wyn-Lyn Tan, Eng Tow, Ian Woo, Yeo Tze Yang; Cuturi Gallery, featuring four young Singaporean painters: Aisha Rosli, Faris Heizer, Shen Jiaqi and Khairulddin Wahab; and Haridas Contemporary, presenting a new work by Melissa Tan, in addition to paintings by Jeremy Sharma and a new body of work by Esmond Loh.
How does Art SG support local and regional artists and galleries in reaching international audiences, and what feedback have you received from them?
Art SG is vital in connecting local and regional artists and galleries with international audiences. By bringing together leading international galleries and a strong Southeast Asian presence, the fair offers local artists a direct platform to engage with collectors, curators and art lovers worldwide. The alignment with Singapore Art Week further boosts exposure, drawing a global crowd of art professionals to the event. The fair’s diverse programming, including the sectors for public art and education – Platform, Film and Talks – provides in-depth engagement opportunities with contemporary art. Platform, dedicated to large-scale, site-specific installations, offers a prominent stage for bold and impactful artworks, often featuring rising talents. Film and Talks, which feature curated discussions and presentations, provide a focused platform for examining Southeast Asian art within a broader global context. The inclusion of institutionally recognized curators and thought leaders, including Stefano Rabolli Pansera, Director of Bangkok Kunsthalle and Khao Yai Art Forest and Artistic Director of the St. Moritz Art Film Festival, who will curate Art SG’s Film sector, and Aaron Cezar, Founding Director of the Delfina Foundation, who will help to shape our Talks program, elevates the presence of regional artists on the world stage.
Can you give us a sneak peek into some programming highlights for Art SG’s third edition in January 2025?
For Art SG’s third edition in January 2025, visitors can expect a fascinating array of programming highlights that showcase a range of contemporary art practices across multiple disciplines and demographics:
Lehmann Maupin (New York, London, Seoul) will feature a selection of works from across the gallery’s program, foregrounding Asian and diaspora female artists including Tammy Nguyen, Mandy El-Sayegh, Lee Bul and Kim Yun Shin.
Ames Yavuz (Singapore, Sydney) will present acclaimed artists from Southeast Asia in a thematic show titled “Kindred Spirits”. Works by Abdul Abdullah, Isabel and Alfredo Aquilizan, Elmer Borlongan, Ayka Go, Alvin Ong and Samak Kosem will explore how memories and materials accrue over time to form complex local identities.
Gazelli Art House (London, Baku) will display a dynamic group exhibition titled “Unknown & Uncontained” featuring six pioneering artists who explore the intersection of digital media and emerging technologies. Centered on speculative communication with other forms of life – whether biological, machine or data-based – the theme of the presentation will invite viewers to experience newly generated worlds through various mediums, including video, sculpture, framed prints and neon. The presentation will include works by acclaimed artist Jake Elwes, while new works by Entangled Others, Xin Liu, and 00 Zhang will be showcased in Singapore for the first time.
Goodman Gallery (Johannesburg, Cape Town, London, New York) will show a group presentation that reflects their artists’ institutional program across this year, with an emphasis on works by Yinka Shonibare, who will examine the relationship between Africa and Europe, speaking to the persistence of colonialism and its legacy. Shonibare had a major solo show at the Serpentine last year, the first at the institution in 20 years.
Additionally, the Delfina Foundation, led by Director Aaron Cezar, will collaborate with Art SG to present a series of programs focused on collecting, philanthropy and private foundations, based on the Foundation’s Collecting as Practice program, further enriching the fair’s dynamic cultural exchange.
There will also be insightful talks from prominent Southeast Asian artists, such as Mandy El-Sayegh, a London-based, Malaysian-born painter and mixed media artist, and Korakrit Arunanondchai, a Thai multi-disciplinary artist, most recently featured in major institutional presentations in Bangkok and Jakarta. These discussions will offer invaluable insights into their creative processes and perspectives on contemporary art in the region.
How do you plan to keep Art SG dynamic and engaging for returning visitors and new audiences in future editions? How do you envision the fair’s position in the next few years, and what long-term goals do you hope to achieve?
Ultimately, our vision for Art SG is to become a cultural destination, not just during the fair but as part of Singapore’s broader role as an arts and cultural hub in Southeast Asia. A key goal is to champion Southeast Asian artists and galleries, and we’re committed to showcasing the richness of the region’s artistic diversity. We aim to nurture the growth of the regional market and support the development of artistic practices, positioning Art SG as a must-attend event for anyone passionate about contemporary art. With continued innovation and a focus on engagement, we look forward to building Art SG into an iconic fixture on the global art calendar.