AGAS Executive Committee members: (From left) Guillaume Levy-Lambert (Membership), Audrey Yeo (Planning/Development), Terry Lee (Hon. Secretary), Khai Hori (President), Theresia Irma (International Relations), Rita Targui (Vice- President), Rachel Teo (Hon. Treasurer), and Marie-Pierre Mol (Ethics and Professional Practice). PHOTO: ART GALLERIES ASSOCIATION SINGAPORE
SINGAPORE - More than 30 art galleries in Singapore will take part in a three-day open house event starting on Friday (Nov 20), with exhibitions, guided tours and workshops.
The inaugural Singapore Gallery Weekend, organised by the Art Galleries Association Singapore (AGAS), features a slate of events such as shows at Gillman Barracks and other parts of the island, paper-making activities at STPI - Creative Workshop & Gallery in Robertson Quay, and digital events such as the Affordable Online Art Fair.
AGAS' vice president Rita Targui, the director of STPI Gallery, says Covid-19 was "instrumental" in bringing galleries closer. While the idea of a gallery weekend had been floating around for several years, they only decided to act on it now.
"For once in our lives, we are not running all over the globe participating in art fairs," she says. "(The pandemic) has helped us get much closer, more strategic, get discussions on the table and set a new direction for AGAS... Bangkok has done (a gallery weekend), Malaysia has done it, so why can't we?"
The gallery weekend was spearheaded by the association's new executive committee, who recently modified the association's constitution to make it more inclusive.
In the past two months, membership has gone up by 50 per cent. It now comes in three tiers - a core tier for groups that deal with the sale of art, including online galleries; an affiliate tier for professionals such as conservators, art handlers and consultants; and a roundtable tier where state agencies and institutions will be invited to share their expertise.
AGAS president Khairuddin Hori, who is also the director and partner at Chan + Hori Contemporary, adds that new galleries can now join immediately as affiliate members. "Before this, you would need to be a working gallery for a minimum of three years before you could be considered a member."
Asked if they had modelled the event on those in other countries, he says Gallery Weekend Berlin was a source of inspiration. Mr Khairuddin recalls one presentation by artists at that event who had funded their programme by selling prints of their own works.
"It would be great if in future the SG Gallery Weekend could be as organic and ground-up as this - to be as independent (as possible) and not rely too much on grants. To not to have that crutch mentality. There's criticism that the (Singapore) arts scene is over-supported, that is why it is falling onto itself."
Other gallery weekend highlights include the Young Talent Programme Winners' Solo Exhibitions at Ion Art Gallery, an art podcast hosted by Chan + Hori Contemporary,and weekend residency studio visits at Cuturi Gallery in Kampong Glam.
Asked about collectors' behaviour amid the pandemic, Mr Khairuddin says they tend to ask for more discounts, and are also trading works or selling them to one another. He notes that Chan + Hori, which now has a pop-up space rather than a permanent gallery, has also reached out to new clients, including overseas ones.
Gallerist Audrey Yeo of Yeo Workshop, chair of the association's planning and development committee, says there are people - such as those who invested in tech stocks - who have still been able to buy art. "Of course we've been trying to be very sensitive - you don't know, in this pandemic situation, who has lost and who has gained," she adds.
Ms Targui says STPI has had deeper conversations with its clients. She adds: "It's not just the lower-priced works that are going, but works that collectors have been studying, that they are familiar with... These works sell, even if it is an online presentation."
